


[for Todd Colby]
I’m building a sled from popsicle sticks
I’m wearing the jacket of the lamb, sliding
into a town near you to do the dance of glory, the Get-
Ready Man as my witness, for now, more than ever,
we all need a witness. In former times, we all of
us gathered in paddocks to witness the power
and the glory of the jive of the dance of perseverance
and rocking out. These days, it’s just me across town
watching you across town in videos online, rocking out.
I’m setting out to leave out of here on the “departure”
portion of my journey. Get ready, man. Stay tuned
in. I may need you as a witness. Pretty soon—
popsicle sticks everywhere.
I dreamed the moon was the hugest it had ever been, which helped explain our behavior. The real things, though, were the hawk on a near tree when we woke yesterday, and, last night, wind like wind from Close Encounters, shaking our front door five flights up. All these shifts in weather and bird, all this feeling of winter being rent-- by which I mean tearing, torn, but I guess there's that other kind of rent, too. (Did you ever read Howards End? "Rent to the ideal.") This is all a workshop I'm paying for. The rent is slush and chill and knowing we will die, which is also part of the workshop. The cost of the class is the subject of the class, a seminar called "Difficult and Wondrous: The Costs and Rewards of Walking on Through." Syllabus forthcoming.
Last night and today, I've been working on two poem drafts inspired by the ice storm. Luckily, I don't have to go back to campus until tomorrow, so I haven't been out in it. From my window, I just watched a guy and his small shoe-wearing dog try to skate-shuffle along. It seemed like slow going.
1. I think I'm going to start putting something on my blog every Wednesday. This is the year in which I tell some version of the truth. And as Hunter S. Thompson said, "[A]nybody with a terminally jangled lifestyle needs at least one psychic anchor." I do not emulate HST in other ways, but in this way (the commitment to a psychic anchor), I will. But don't worry. I'm not as jangled as all that. 
I’ve cleaned off a space on my desk big enough to riff
on you twenty times. By which I mean I’m on the bus
back from Boston, thinking of your eyes and mouth and hands.
This poem, you may have noticed, has an I and a you. This poem
is the daughter we don’t have. She’s a curly-headed implicated
implicator. She’s American. She’ll be oddly happy up through
the age of ten, then suffer seven years of anger. Blame her mother;
blame her father. Emerge from flame knowing the different
music. American. This is our new year of learning urgency
and a kind of loose-headed, courageous heart. Some people think you
shouldn’t use “courageous” in a poem. But consider this:
Near the end of Ingrid Bergman’s life, she and her friend
Liv Ullman went to the movies. Fifteen minutes in, Ingrid leans
over and says, “I don’t have time for this,” then gets up and leaves.
This is all just to say, there’s a wild low singing under all these naps,
and from now on I’m telling the truth. From now on, I’m telling
some version of the truth.








We still have a lot of unpacking to do.